Dannielle Tegeder
http://www.dannielletegeder.com/about/ 9-25-2014
Born in Peekskill, NY, I currently live in Brooklyn, New York and maintain a studio at The Elizabeth Foundation in Manhattan. I received a BFA from the State University of New York at Purchase (1994), and an MFA in Painting and Drawing from The School of The Art Institute of Chicago (1997).
For the past fifteen years, my work has explored abstraction. While the core of my work is paintings and drawings, I have recently begun to include large-scale installation, sculptural objects, video, sound, and animation
Since receiving my MFA in 1997 from the School of the Art Institute of Chicago, my work has been presented in over 100 gallery exhibitions, both nationally and internationally in Paris, Houston, Los Angeles, Berlin, Chicago, and New York. I have participated in numerous institution exhibitions including PS1/MOMA, The New Museum, The Brooklyn Museum of Art in New York, and Museum of Contemporary Art in Chicago. Several of my drawings have recently been purchased as part of the Contemporary Drawing Collection at the Museum of Modern Art, and my work is in the permanent collections of The Museum of Contemporary Art in Chicago, and The Weatherspoon Museum of Art in Greensboro, NC.
I have held three full time university positions at Cornell University, SUNY Purchase, and the City University of New York at Lehman College where I am now an Associate Professor of Art. I have been a visiting artist in over forty institutions including the Maryland Institute of Contemporary Art, Rhode Island School of Design, The School of The Art Institute of Chicago, Ontario School of Art and Design, CCA in San Francisco, Brandeis University, Princeton University, Rice University. University of Houston, and others.
I am the recipient of several residencies and grants including TheYaddo Foudation (2012, 2009, and 2007), The Triangle Foundation Residency and Workshop (2012), Elizabeth Foundation in New York (2012-2006), The Lower Manhattan Cultural Council Studio Residency at Governor’s Island (2012), Smack Mellon Studios and Artist Stipend
(2008), Banff Centre for the Arts, Artist Residency in Banff, Canada (2007), The Pollock-Krasner Foundation (2005), Lower East Side Print Fellowship Edition Award, (2004) National Studio Program, P.S.1/MOMA Affiliate, Clocktower, New York, NY, (2003) ART OMI, Omi International Arts Center, Omi, NY, (2003) Henry Street Settlement Studio Fellowship, NY, (2002) The Marie Walsh Sharpe Studio Fellowship, NY (2001), The Millay Colony for the Arts, Austerlitz, NY, (2000) and The Ragdale Foundation Residency Program, Lake Forest, IL, (2000) .
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Pop Utopia: My work consists mainly of brightly colored paintings based on underground blueprints, architectural plans, and technological drawings. Our society's technological and architectural advancements both delight and disgust us. As vehicles of desire and creative thought, they perform necessary functions for habitation and development. Our societal structures and technological advances are equally capable of empowering and disabling us. We have nuclear weapons, biological terrorism, population overcrowding and flight path congestion in every city, relying on beneficent safety measures to resist them. As subjects, I use biotechnological illustration charts, underground and air transportation paths, diagrams of plumbing and heating systems, and computer based technological images. I then transform them with vivid colors through painting and drawing. Starting with a diagrammatic base, I draw on paper or panel parts, then with the help of drafting tools and other materials such as colored pencil, markers and gouache, I create pseudo- systems that are a base for my seemingly abstract paintings. Through this transformation, I attempt to infuse my non- aesthetic subjects with a piercing beauty and a bit of humor. I am influenced by the drawings of architects such as Zaha Hadid, Paulo Solari, and the later work of Frank Lloyd Wright. The concept of beauty firmly grounded upon proportion, order, and color compels my art. The creative process enables me to understand the abstractions of human development and modern society's obsession with technology on my own terms.- Dannielle Tegeder
Dannielle Tegeder
Lives in New York
Education:
1997, M.F.A., School of the Art Institute of Chicago, Illinois
1994, B.F.A., State University of New York, Purchase
Selected Collections:
Judith Rothschild Foundation-Contemporary Drawing Collection as a promised gift to the Museum of Modern Art, New York City
Selected Exhibitions
2005 Susanne Vielmetter Los Angeles Projects, Culver City, California
The New Metropolis: Safe Living Project, Gregory Lind Gallery, San Francisco,
California
2004 Open House, The Brooklyn Museum, New York
Cities of Construct: Underground Plans of Risk and Desire, Müller Dechiara, Berlin
Death Rock City: Drawings and Structures, Priska C. Juschka Fine Art, Brooklyn, New York
Constructed Realities The Influence of Science and Engineering in American Art,
Contemporary Art Gallery, Southeastern Louisiana University, Hammond
Paper, Caren Golden Fine Art, New York
2003 Signs, Lines, and Codes, Anne de Villpoix, Paris, France
Strange Worlds, Hunter Art Gallery, New York
Contingency Living, Bodybuilder and Sportsman Gallery, Chicago, Illinois
Underground Safety Utopias…, Mixture Gallery, Houston, Texas
Painting, Central Michigan State University Gallery, Mount Pleasant
Winter Safe Cities…, Susanne Vielmetter Los Angeles Projects, California
PS1/MOMA, New York
Paradox Paradise; Fred Tomaselli, Justine Kurland, Matt Mullican, Dannielle
Tegeder…, Castle Gallery, College of New Rochelle, New York
2002 Safe City Project, Mixture Gallery, Houston, Texas
Love, Lust and Other Mechanical Systems, De Chiara Gallery, New York
Out of Site, New Museum of Contemporary Art, New York
The Henry, Seattle, Washington
Dannielle Tegeder, New Works, Herter Art Gallery, University of Massachusetts at
Amherst.
Drawing Show, Jan Cicero Gallery, Chicago, Illinois
Graves Supercomplication, Silverstein Gallery, New York
Drawings, Mixture Gallery, Houston, Texas
Scratch, Arena, New York
2001 Artist in the Marketplace Exhibition, The Bronx Museum of Art, New York
Giddy, Rhoades College, Memphis, Tennessee
Undercurrents, The Jan Cicero Gallery, Chicago, Illinois
Open Studios, The Marie Walsh Sharpe Foundation, New York
Night of 1,000 Drawings, Artist’s Space, New York
1999 Recent Drawings, Contemporary Arts Workshop, Chicago, Illinois
Six Choose Six, Visual Arts Gallery, State University of New York, Purchase
1996 Organic: Organization, Fine Arts Gallery, Chicago, Illinois
Chicago and Vicinity Exhibition, Evanston Art Center, Illinois
Selected bibliography:
Bellini, Andrea. "I Nuovissimi di New York." Flash Art, June- July 2004, p. 93.
Canning, Susan. Paradise Paradox. Exhibition Catalog, 2003.
Cotter, Holland. “Architectural Visions Keep Dreamers Awake.†The New York Times, 12 July 2002.
Ellegood, Anne. Out of Site. Exhibition Catalogue, New York: The New Museum of
Contemporary Art, 2002.
Helguera, Pablo. "Dannielle Tegeder at Priska C. Juschka Fine Art." Tema Celeste, 108 (2005):
75-76.
Hunt, David. “Dannielle Tegeder.†BOMB, Summer 2002, p. 18.
Gomez, Edward M., “Another World.†Art and Antiques, September 2004, p. 51-2.
Judicael, Lavrador. "Le(baby) Galeries Boom." BeauxArts, October 2004, p.108.
Kotik, Carlotta. Open House. Exhibition Catalog, Brooklyn: Brooklyn Museum, 2004.
Sanders, Joel. "Out of Site, Fictional Architectural Spaces." ArtForum, November 2002, vol.
XLI, no. 3, 182.
Smith, Roberta. "A Decade of the Space Program." The New York Times, 24 May 2002.
Snodgrass, Susan. Art in America, September 2001.
Williams, Grefory. “CRITIC’s PICKS New York ‘Out of Site’ New Museum of Contemporary
Art.†Artforum.com, September 2002.