Dannielle Tegeder

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Dannielle TegederPeekskill, New York, 1971 -

http://www.dannielletegeder.com/about/ 9-25-2014

Born in Peekskill, NY, I currently live in Brooklyn, New York and maintain a studio at The Elizabeth Foundation in Manhattan. I received a BFA from the State University of New York at Purchase (1994), and an MFA in Painting and Drawing from The School of The Art Institute of Chicago (1997).

For the past fifteen years, my work has explored abstraction. While the core of my work is paintings and drawings, I have recently begun to include large-scale installation, sculptural objects, video, sound, and animation

Since receiving my MFA in 1997 from the School of the Art Institute of Chicago, my work has been presented in over 100 gallery exhibitions, both nationally and internationally in Paris, Houston, Los Angeles, Berlin, Chicago, and New York. I have participated in numerous institution exhibitions including PS1/MOMA, The New Museum, The Brooklyn Museum of Art in New York, and Museum of Contemporary Art in Chicago. Several of my drawings have recently been purchased as part of the Contemporary Drawing Collection at the Museum of Modern Art, and my work is in the permanent collections of The Museum of Contemporary Art in Chicago, and The Weatherspoon Museum of Art in Greensboro, NC.

I have held three full time university positions at Cornell University, SUNY Purchase, and the City University of New York at Lehman College where I am now an Associate Professor of Art. I have been a visiting artist in over forty institutions including the Maryland Institute of Contemporary Art, Rhode Island School of Design, The School of The Art Institute of Chicago, Ontario School of Art and Design, CCA in San Francisco, Brandeis University, Princeton University, Rice University. University of Houston, and others.

I am the recipient of several residencies and grants including TheYaddo Foudation (2012, 2009, and 2007), The Triangle Foundation Residency and Workshop (2012), Elizabeth Foundation in New York (2012-2006), The Lower Manhattan Cultural Council Studio Residency at Governor’s Island (2012), Smack Mellon Studios and Artist Stipend

(2008), Banff Centre for the Arts, Artist Residency in Banff, Canada (2007), The Pollock-Krasner Foundation (2005), Lower East Side Print Fellowship Edition Award, (2004) National Studio Program, P.S.1/MOMA Affiliate, Clocktower, New York, NY, (2003) ART OMI, Omi International Arts Center, Omi, NY, (2003) Henry Street Settlement Studio Fellowship, NY, (2002) The Marie Walsh Sharpe Studio Fellowship, NY (2001), The Millay Colony for the Arts, Austerlitz, NY, (2000) and The Ragdale Foundation Residency Program, Lake Forest, IL, (2000) .

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Pop Utopia: My work consists mainly of brightly colored paintings based on underground blueprints, architectural plans, and technological drawings. Our society's technological and architectural advancements both delight and disgust us. As vehicles of desire and creative thought, they perform necessary functions for habitation and development. Our societal structures and technological advances are equally capable of empowering and disabling us. We have nuclear weapons, biological terrorism, population overcrowding and flight path congestion in every city, relying on beneficent safety measures to resist them. As subjects, I use biotechnological illustration charts, underground and air transportation paths, diagrams of plumbing and heating systems, and computer based technological images. I then transform them with vivid colors through painting and drawing. Starting with a diagrammatic base, I draw on paper or panel parts, then with the help of drafting tools and other materials such as colored pencil, markers and gouache, I create pseudo- systems that are a base for my seemingly abstract paintings. Through this transformation, I attempt to infuse my non- aesthetic subjects with a piercing beauty and a bit of humor. I am influenced by the drawings of architects such as Zaha Hadid, Paulo Solari, and the later work of Frank Lloyd Wright. The concept of beauty firmly grounded upon proportion, order, and color compels my art. The creative process enables me to understand the abstractions of human development and modern society's obsession with technology on my own terms.- Dannielle Tegeder

Dannielle Tegeder

Lives in New York

Education:

1997, M.F.A., School of the Art Institute of Chicago, Illinois

1994, B.F.A., State University of New York, Purchase

Selected Collections:

Judith Rothschild Foundation-Contemporary Drawing Collection as a promised gift to the Museum of Modern Art, New York City

Selected Exhibitions

2005 Susanne Vielmetter Los Angeles Projects, Culver City, California

The New Metropolis: Safe Living Project, Gregory Lind Gallery, San Francisco,

California

2004 Open House, The Brooklyn Museum, New York

Cities of Construct: Underground Plans of Risk and Desire, Müller Dechiara, Berlin

Death Rock City: Drawings and Structures, Priska C. Juschka Fine Art, Brooklyn, New York

Constructed Realities The Influence of Science and Engineering in American Art,

Contemporary Art Gallery, Southeastern Louisiana University, Hammond

Paper, Caren Golden Fine Art, New York

2003 Signs, Lines, and Codes, Anne de Villpoix, Paris, France

Strange Worlds, Hunter Art Gallery, New York

Contingency Living, Bodybuilder and Sportsman Gallery, Chicago, Illinois

Underground Safety Utopias…, Mixture Gallery, Houston, Texas

Painting, Central Michigan State University Gallery, Mount Pleasant

Winter Safe Cities…, Susanne Vielmetter Los Angeles Projects, California

PS1/MOMA, New York

Paradox Paradise; Fred Tomaselli, Justine Kurland, Matt Mullican, Dannielle

Tegeder…, Castle Gallery, College of New Rochelle, New York

2002 Safe City Project, Mixture Gallery, Houston, Texas

Love, Lust and Other Mechanical Systems, De Chiara Gallery, New York

Out of Site, New Museum of Contemporary Art, New York

The Henry, Seattle, Washington

Dannielle Tegeder, New Works, Herter Art Gallery, University of Massachusetts at

Amherst.

Drawing Show, Jan Cicero Gallery, Chicago, Illinois

Graves Supercomplication, Silverstein Gallery, New York

Drawings, Mixture Gallery, Houston, Texas

Scratch, Arena, New York

2001 Artist in the Marketplace Exhibition, The Bronx Museum of Art, New York

Giddy, Rhoades College, Memphis, Tennessee

Undercurrents, The Jan Cicero Gallery, Chicago, Illinois

Open Studios, The Marie Walsh Sharpe Foundation, New York

Night of 1,000 Drawings, Artist’s Space, New York

1999 Recent Drawings, Contemporary Arts Workshop, Chicago, Illinois

Six Choose Six, Visual Arts Gallery, State University of New York, Purchase

1996 Organic: Organization, Fine Arts Gallery, Chicago, Illinois

Chicago and Vicinity Exhibition, Evanston Art Center, Illinois

Selected bibliography:

Bellini, Andrea. "I Nuovissimi di New York." Flash Art, June- July 2004, p. 93.

Canning, Susan. Paradise Paradox. Exhibition Catalog, 2003.

Cotter, Holland. “Architectural Visions Keep Dreamers Awake.” The New York Times, 12 July 2002.

Ellegood, Anne. Out of Site. Exhibition Catalogue, New York: The New Museum of

Contemporary Art, 2002.

Helguera, Pablo. "Dannielle Tegeder at Priska C. Juschka Fine Art." Tema Celeste, 108 (2005):

75-76.

Hunt, David. “Dannielle Tegeder.” BOMB, Summer 2002, p. 18.

Gomez, Edward M., “Another World.” Art and Antiques, September 2004, p. 51-2.

Judicael, Lavrador. "Le(baby) Galeries Boom." BeauxArts, October 2004, p.108.

Kotik, Carlotta. Open House. Exhibition Catalog, Brooklyn: Brooklyn Museum, 2004.

Sanders, Joel. "Out of Site, Fictional Architectural Spaces." ArtForum, November 2002, vol.

XLI, no. 3, 182.

Smith, Roberta. "A Decade of the Space Program." The New York Times, 24 May 2002.

Snodgrass, Susan. Art in America, September 2001.

Williams, Grefory. “CRITIC’s PICKS New York ‘Out of Site’ New Museum of Contemporary

Art.” Artforum.com, September 2002.

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