Gaela Erwin

Gaela Erwin has lived and worked primarily in the Midwestern and Southeastern United States. She received her BFA from the Columbus College of Art and Design in 1973 and her MA from the University of Louisville in 1983. In the summer of 1988, she studied with Robert Beauchamp through the Studio Art School of the Aegean in Samos, Greece. In 1989, Gaela studied with Jack Beal at the Atlantic Center for the Arts in New Smyrna Beach, FL. Currently she has a studio in Louisville and teaches at the Allen R. Hite Institute at the University of Louisville. Gaela has received numerous awards, fellowships, and artist's residencies, including grant awards from the Kentucky Foundation for Women, the Al Smith Fellowship, and the Artist's Fellowship Inc. Her residency fellowships have included Yaddo, Virginia Center for the Arts, Atlantic Center for the Arts, and Oberfalzer Kunstlerhaus in Schwandorf, Germany. Exhibited regionally and nationally, her work can be found in the permanent collections of the Muscarelle Museum of Art at the College of William and Mary in Williamsburg, VA and at the University of Kentucky Art Museum in Lexington. Gaela's work is also on display in various corporate collections as well as private collections in the U.S., Canada, and Germany. The University of Tennessee at Chattanooga's Cress Gallery of Art was the site of Painting by Gaela Erwin, an exhibit of 22 recent paintings. Her work, painted from direct observation, can be described as classical realism. And her subject matter, though diverse-ranging from self-portraits and the nude to dolls and dead birds-can be described as forms of portraiture. Gaela examines her subjects with an acute psychological focus that is contemporary and, at times, startling. Dr. Christine Havice, in her essay to Gaela's forthcoming catalogue, explains that "this body of work forces us to 'live in our eye' in its unsparing sparseness of subject, [but] it also provides masterful, often intensely sensual, handling of formal elements and richly layered, yet measured, evocation of tradition. Gaela Erwin paints for us the ambivalence of the late 20th-century gaze." Artist's Statement Self-portraits are a recurrent theme in my work. This motif allows me the luxury of working from life without the worry of mounting model bills and the ease of working whenever and however long I feel without scheduling conflicts. After all, I am always available to model. Self-portraits also afford the possibilities not only of mirroring my own physical characteristics and psychology but, if the painting is truly successful, also a glimpse of the interior landscape of the viewer's own psyche. Themes of mortality are often evident in my work. Not unlike a vanitas, my paintings are often evocative of life's companionship with death. Formal concerns such as black borders; painterly, abstracted backgrounds; and a muted tonal palette reinforce this theme. Framing devices that are often seen in my work function on this level as well, but also play with conditions of illusion, creating a sense that the viewer is looking into a mirror. It is a mirror that does not reflect the viewer's gaze; in fact, the face looking back may not even be looking at him/her. Ultimately, this repulsion of the viewer encourages a looking inward, sparking a resonance that often results in an uncomfortable recognition of a familiar emotion or feeling. Recent self-portraits have taken the theme of various saints as catalysts for symbolic imagery evident in many of the works. Borrowing from the lore of celebrated saints allows me to explore the near spiritual path every artist must tread in order to pursue their artistic convictions. Though no one would argue that the lives of artists are as arduous and tortured as those that the saints endured, the question of faith for artists in the face of adversity and self-doubt is a torment that perhaps the saints would have appreciated. Gaela Erwin, 2001 http://gaelaerwinart.com/resume.html 9-6-11Public Collections 21C Museum Foundation, Louisville, Kentucky Muscarelle Museum of Art, Williamsburg, Virginia Ogunquit Museum of American Art, Ogunquit, Maine Huntsville Museum of Art, Huntsville, Alabama Evansville Museum of Arts and Science, Evansville, Indiana University of Kentucky Art Museum, Lexington, Kentucky Centre College, Danville, Kentucky Eckert, Elkorn, Goering, Madison, Indiana Consolidated Chemical Works, Chicago, Illinois Columbus College of Art and Design, Columbus, Ohio Bravura Corporation, Louisville, Kentucky Brown-Forman Corporation, Louisville, Kentucky U.S. Corrections Corporation, Louisville, Kentucky Mosley, Bertrand, Jacobs & Mc Call Attorneys at Law, Jeffersonville, IN Ackerson, Mosley, Yann, P.S.C., Louisville, KY Education1988 Studio Art School of the Aegean, Samos, Greece1983 University of Louisville, Louisville, Kentucky, M.A.1973 Columbus College of Art and Design, Columbus, Ohio, B.F.A Teaching2006 Allen R. Hite Institute; University of Louisville, Louisville, Kentucky, visiting artist/guest lecturer 2004 - Present St. Francis High School; Artist-in-Residence, Louisville, Kentucky .2003 La Grange College; Cultural Enrichment Events, Artist’s Lecture, Lamar Dodd College, La Grange, Georgia1998 Kentucky Institute for International Studies; Italy Summer Studio Abroad, Painting lnstructor1998 Centre College; Danville, Kentucky; visiting artist/guest lecturer1993-97 Allen R. Hite Institute; University of Louisville, Louisville, Kentucky; Drawing Instructor1994-97 Studio School; Louisville, Kentucky; Drawing Instructor, Workshop Presenter1996 Allen R. Hite Institute; University of Louisville, Louisville, Kentucky; Visiting Artist1994 Bellarmine College; Louisville, Kentucky; Drawing Instructor1993 Louisville Visual Art Association; Louisville, KY; Workshop Presenter, “Open Doors” Community Outreach Program Reviews, Articles and Catalogues2009 Art in America, November 2009, No. 10. P. 120, photo2008 Split Rock Arts Program, University of Minnesota, Cover and publicity materials.2006 Robson, Julien, Gaela Erwin: Facing the Subject, The Speed Art Museum, catalogue.2005 Mesch, Katherine, Pastel Journal, Gaela Erwin, Issue No. 40, pg. 36-41 Mesch, Katherine, Pastel Journal, Gaela Erwin, Products Page, Issue " " " 18 T. R. Hummer, Editor, The Georgia Review, Volume LIX Number 2, Gaela Erwin, Self-Portraits as Saints, Cover, pgs.352-360 Ward, Christopher, Methods and Materials, Pastel Highlights 2, May 2003 Artman, Alan, Review, Chicago Tribune, Feburary 28, Joiner; Dorothy, Gaela Erwin: Self-Portraits as Saints, SECAC Journal, Spring 2002 Culver, Michael, Ogunquit Museum of American Art, Catalogue, Gaela Erwin: Self-Portraits Joiner, Dorothy, Reviews: Southeast, Art Papers, July/August, vol.26, p. 362001 Baldaia, Peter, Encounters: Gaela Erwin, Huntsville Museum of Art, Catalogue Open Studios Press, New American Paintings, Vol. 34, p. 62-65; (Reproduction)